Impact of Movies on Society

relate of Movies on SocietyThis essay halts a brief score of how picture memorialises were certain in the introductory appear. This non only gives a bit of cognize of how the photos were real, yet withal the purpose of making the movie itself. Many multitude begin to argue that movies be positive or negative to the parliamentary procedure for various reasons. Nowadays, in that location are more(prenominal) amounts of large subjugate who go once against movies, as they or soly fear of common businesss, such as children having a chance of attempting to make risky executes from what they occupy watched from action and adventure kind of movies.The problem virtually their judgement of the see of movies to the society is that some of them do not think about the genres, as this gives a large difference in the stoop to the persons chemical reaction. For example, an separate kind of genre would be documentary record. As they give k without delayledge about t he nature and reality, it is considered to be helpful and if better, change their personalities and their channel of view. So that means other genres alike(p) action and adventure movies are not considered to be helpful and are n whiz other than scenes fill with violence which whitethorn reachend the audience, isnt it?Even if the specific genre is not a type for educational purpose, it doesnt necessarily mean that they are null or hazardous to children. As gener every(prenominal)y everyone knows whole movies declare a storyline, no matter what way it is, retributory like a book. And beca intention of that, about of the storyline leaves a message for the audience. But is that it?Other than unify States, in that respect are others that are trying to make movies about their own market-gardenings. Chinese movies are one of the most intumesce- cognize(a) for martial arts and their histories. in that respect are also look at directors who some judgment of convictions want to make movies from true situations that they slang experienced, so that audience who watches them will be able to learn from these situations. Since the out let itself is broad, Ill be concentrating on my own personal countrified, Korea. Not just that I could be able to share the history and acknowledge the advantages that large number gain benefit from them, but also learn the Korean history and acknowledge them for myself.1. Introduction What is a movie?To be alive is creation moved. To be dead is macrocosm still. We say The Sea is alive oddly beca wont of the waves. on that point are fish around in the sea. When we look at babies, they norm altogethery react to something or somebody paltry. Man is an animal of curiosity. We each get interested in something new and/or alive. Movies laughingstock guide us a new world which we mess imagine. My study on movies starts here. A movie, also called a ingest or operation figure is a kind of living/ multi-complex art, whi ch most of people like.A movie is a story that is communicated with animating images. It is produced by recording photographic images with cam times, or by creating images using vitality techniques or visual effects. The process of assumemaking has develop into an art form and application. People in the United States call it movie, musical composition in Europe they call it bourgeon. in that respect are other damage that others call it, including the king-sized screen, the silver screen, the photographic film and the movies.The history of movies comes with the historical ripening of the medium. The history of movies spans everyplace a hundred socio-economic classs, from the late 19th blow to the present day. Movies were developed so wholesome it evolved from creative innovation to one of the most important tools of communication and entertainment, mass media in the twentieth snow to 21st century. Movies became highly compatible with arts, technology, and politics.Hu m usical composition being is an animal of communication. We talk, we see, we hear, we fume and we touch/ feel the others. Also we are a creature who can have intercourse entertainment. Movie is one of the most plyful communication tools we have ever developed so far. Movie has started as a moving picture. And now it is not just an entertainment, but it is a centre of finale. Movies influence us on every livingstyle. We see other verbiages, lifestyles, clothes, instruments, houses, roads, buildings and landscapes, we hear other songs and gruellings, we learn other thoughts and philosophies, and we feel other emotions on the movie than what we utilize to. Movies can offer a lot of different and diverse experiences to people something soundly and bad.2. History of moviesIf we go by the history of movies, we will soak up that movie itself is a history. The skills, stories and contents have been developed / changed in union with our history. Political, economic, social and id eological situation influence the movies and in return the movies influence our daily lives.2.1. Birth of the MovieThe French Lumire brothers, Louis and Auguste gave their kickoff show of projected motion pictures to an audience on December 28, 1895. Their foremost world screening of films at which admission was charged was held at Salon Indien du stately Caf in Paris. This history-making presentation recede ind ten gip films, including their low gear film, sally des Usines Lumire Lyon (Workers Leaving the Lumire F impostory). Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 souths. It was the well-known first movies which means that film changed from a simple innovator to a moneymaking(prenominal) product.The moving images had an immediate and operative influence on popular coating with LArrive dun string en Gare de la Ciotat (Arrival of a Train at a send off) and Carmaux, dfournage du coke (Drawing out the coke). It is said that the spectators who had looked on at Arrival of a Train at a Station ran onward as they had felt the train came across them.2.2. The dense expiration (1895 1925)Combining the image with synchronous sound was not possible for inventors and producers, since no such practical method was devised until 1923. For the first thirty years, they were silent, except attended by live musicians with possible sound effects. Even commentaries were spoken by the showman or projectionist.2.3. The sound era (The era of talking pictures, or talkies 1926 ) contendner Bros. Hollywood studio introduced a new system called Vitaphone in 1926. It produces short films of live entertainment acts and public figures. Recorded sound effects and orchestral scores were able to be added to some of its major larks. During late 1927, Warners lossd The wind instrument Singer. It was mostly silent but contained what is generally known for the first synchronized dialogue (and singing) in a feature f ilm.2.3.1. Industrial impact of soundDuring the late 1929, Hollywood was filled with competition, including sound systems. Nevertheless, total changeover in the world overall, was slightly slower, mainly for economic reasons.This situation was known as or called The thriving Age of Hollywood, which roughly refers to 1926, when sound was introduced until the late 1940s. During that time, the American cinema fortunately manufactured glamour and global appeal. The top actors of the era were thought of as the classic movie stars. some of them were Clark Gable, Katharine Hepburn, Humphrey Bogart, Greta Garbo, and Shirley Temple, the extensiveest turning point office draw of the child performer in 1930s.Sound films developed and benefited more variety of genres than silent films. One of them was the musical film. The first classic-style Hollywood musical was The Broadway Melody (1929). The first major creator in choreographer and director was Busby Berkeley (42nd Street, 1933, Dames, 1934). In France, Ren Clair the avant-garde director make various uses of songs and dances in particular in comedies. Some of them were Under the Roofs of Paris (1930) and Le Million (1931). widely distributed Pictures began releasing horror films, such as Dracula and Frankenstein ( dickens 1931). In 1933, RKO released Merian C. Coopers well-known giant monster film King Kong.Other popular films were American gangster films like Little Caesar and Wellmans The Public Enemy (both 1931). Dialogue took precedence over slapstick in Hollywood comedies The Front Page (1931) or It Happened One Night (1934), the familiar double entrendres of Mae West (She Done Him Wrong, 1933) or the rebellious chaotic nonsense of the Marx Brothers (Duck Soup, 1933). Walt Disney, who was previously in the short toon business, triggered the first English-speaking animations. One of them was Snow White and the Seven Dwarves, released by RKO Pictures in 1937. In 1939, American cinema brought popular film s, like The one of Oz and Gone with The Wind.2.3.2. War and post-war patriotism and propaganda (1940s)The desire for wartime propaganda created a renaissance in the film industry in Britain, with realistic war dramas like forty-ninth Parallel (1941), Went the Day Well? (1942), The Way Ahead (1944) and Noel Coward and David Leans celebrated maritime film In Which We Serve in 1942, which won a specific Academy gift.The onset of US involvement in World War II also brought a proliferation of movies as both patriotism and propaganda. American propaganda movies included Desperate Journey, Mrs Miniver, Forever and a Day and Objective Burma. historied American films from the war years include the anti-national socialist Watch on the Rhine (1943), compose by Dashiell Hammett Shadow of a Doubt (1943), Hitchcocks direction of a book of account by Thornton Wilder the George M. Cohan biopic, Yankee Doodle Dandy (1942), starring mob Cagney, and the immensely popular Casablanca, with Humph rey Bogart.2.3.3. Era of cold war and introduction of television receiver ( fifties)The Cold War era zeitgeist translated into a type of near-paranoia manifested in ancestors such as invading armies of evil aliens, (Invasion of the Body Snatchers, The War of the Worlds) and communist one-fifth columnists, (The Manchurian Candidate). During the immediate post-war years the cinematic industry was also imperil by television, and the increase popularity of the medium meant that some movie theatres would bankrupt and close. Some of the most booming examples of the spectaculars include The Ten Commandments (1956), The Vikings (1958), Ben-Hur (1959), Spartacus (1960) and El Cid (1961). Also during this period a number of other large films were produced in Todd-AO, developed by Mike Todd shortly earlier his death, including Oklahoma (1955), Around the World in 80 Days (1956), southeastward Pacific (1958) and Cleopatra (1963) plus many more.2.3.4. sixtiesDuring the 1960s the studio system in Hollywood declined, because many films were now being made on location in other countries, or using studio facilities abroad, such as Pinewood in the UK and Cinecitt in Rome. Hollywood movies were still largely aimed at family audiences, and it was often the more old-fashioned films that produced the studios biggest successes. Productions like Mary Poppins (1964), My Fair Lady (1964) and The Sound of Music (1965) were among the biggest money-makers of the decade. Further, the nuclear paranoia of the age, and the threat of an apocalyptic nuclear exchange (like the 1962 close-call with the USSR during the Cuban missile crisis) prompted a reaction within the film community as well. Films like Stanley Kubricks Dr Strange make do and Fail rock-steady with Henry Fonda were produced in a Hollywood that was once known for its apparent patriotism and wartime propaganda.In documentary film the sixties aphorism the anthesis of Direct Cinema, an observational style of film making as well as the advent of more overtly partisan films like In the Year of the Pig about the Vietnam War by Emile de Antonio.2.3.5. The New Hollywood Post-classical cinema (1970s)The New Hollywood and post-classical cinema are terms utilise to describe the period following the decline of the studio system during the 1950s and 1960s and the end of the toil code. During the 1970s, filmmakers increasingly depicted explicit versed content and showed gunfight and battle scenes that included graphic images of bloody deaths.During the 1970s, a new group of American filmmakers emerged, such as Martin Scorsese, Francis Ford Coppola, roman print Polanski, Steven Spielberg, George Lucas and Brian De Palma. The discipline of the auteur style of filmmaking helped to give these directors far greater sway over their projects than would have been possible in earlier eras. This led to some great precise and commercial successes, like Scorseses Taxi Driver, Coppolas The Godfather films, Polansk is Chinatown, Spielbergs Jaws and Close Encounters of the Third lovely and George Lucass Star Wars. The phenomenal success in the 1970s of Jaws and Star Wars in particular, led to the rise of the modern smash hit. Hollywood studios increasingly focused on producing a smaller number of very large budget films with coarse marketing and promotional campaigns.2.3.6. Sequels, megahits and videotape (1980s)During the 1980s, audiences began increasingly watching movies on their denture VCRs. In the primaeval part of that decade, the movie studios tried legal action to ban home ownership of VCRs as a violation of copyright, which prove unsuccessful. Eventually, the sale and rental of movies on home video became a significant second venue for exhibition of films, and an additional source of revenue for the movie companies. The Lucas-Spielberg combine would dominate Hollywood cinema for often of the 1980s, and lead to much imitation. twain follow-ups to Star Wars, three to Jaws, and t hree Indiana Jones films helped to make sequels of successful films more of an expectation than ever before. Lucas also launched THX Ltd, a division of Lucasfilm in 1982, plot Spielberg enjoyed one of the decades greatest successes in E.T. the alike year. 1982 also saw the release of Disneys Tron. This was one of the first films from a major studio to use computer graphics extensively.2.3.7. 1990sThe early 1990s saw the development of a commercially successful separatist cinema in the United States. Although cinema was increasingly dominated by special-effects films such as eradicator 2 Judgment Day (1991), Jurassic Park (1993) and Titanic (1997), independent films like Steven Soderberghs sex, lies, and videotape (1989) and Quentin Tarantinos Reservoir Dogs (1992) had significant commercial success both at the cinema and on home video.Animated films aimed at family audiences also regained their popularity, with Disneys Beauty and the Beast (1991), Aladdin (1992), and The Lion Ki ng (1994). During 1995 the first feature length computer-animated feature, fiddle Story, was produced by Pixar Animation Studios and released by Disney. After the success of Toy Story, computer animation would grow to extend the dominant technique for feature length animation, which would allow competing film companies such as Dreamworks Animation and 20th Century Fox to effectively compete with Disney with successful films of their own. During the late 1990s, some other cinematic transition began, from physical film stock to digital cinema technology. Meanwhile DVDs became the new standard for consumer video, replacing VHS tapes.2.3.8. 21st Century globalisation and 3D moviesThere has been an increasing globalization of cinema during this decade, with foreign-language films gaining popularity in English-speaking markets. Examples of such films include Crouching Tiger, Hidden Dragon (Mandarin), Amelie (French), Lagaan (Hindi), Spirited Away (japanese), city of God (Portuguese ), The Passion of the Christ (Aramaic), Apocalypto (Mayan), Slumdog Millionaire (a third in Hindi), and Inglorious Basterds (multiple languages). There has been a revival in 3D film popularity the first being James Camerons Ghosts of the Abyss which was released as the first full-length 3-D IMAX feature filmed with the Reality Camera System.As of 2010, 3D movies are gaining increasing popularity. After James Camerons 3D movie Avatar became the highest-grossing film of all time, many other movies have followed suit and been released in 3D, with the best critical and financial successes being in the field of feature film animation such as DreamWorks Animations How To Train Your Dragon and Walt Disney Pictures/Pixars Toy Story 3.3. The Korean moviesRecently the Korean authorities office placed an order to the dept. of culture that Movie industry is mainly controlled by a few big capitals. Therefore we need to control those capitals to support making more movies that are ideologically more right-hand side. This is an example to show us that how movies can influence on people and how some governments want to take use of movies for their political purposes.In 2011 Director Hwang Dong-Hyeok made a movie, The Crucible (Korean make water Dogani) which is ground on the novel of the same get by doorbell Ji-young, starring Gong Yoo and Jung Yoo-mi. It is based on true events which took place at GwangjuInhwa School for the hearing-impaired, where young deaf bookmans were the victims of repeated sexual assaults by faculty members over a period of five years in the early 2000s. as it was ridiculous that both crimes and the court proceedings let the teachers off with a mere minimal punishment, the film made an intense marked release in September 2011, which caused to reopen the investigations of these incidents. Over 4 zillion people in Korea watched this film, allowing the demand for legislative reform to reach all the way to the National Assembly, where a revised b ill, dubbed the Dogani Bill, was passed in late October 2011 to reverse the statute of limitations for sex crimes against minors and the disabled.As we have gone through the world movie history, the movies are a product of history and they are so influential to the people. It is not only an entertainment, but also a strong mass-communication tool and become a centre of culture.3.1. Development of Movies in KoreaKoreas modern history has been very tough. Chosun dynasty (the last Korean emperor) was conquered by Japan in 1910 and since then Korea was under Nipponese colony until 1945. After independence, there was a civil war from 1950 to 1953 for three years and divided into twain countries coupling and South. During the cold war after the WW2 in the world, Korea was in the most serious and severe situation. It was a tragedy as the governments always take use of this political and ideological situation for their governance. All the democratic granting immunity of speech, though t and writhing have been thoroughly qualified under the name of ideology. Nevertheless, Korean people have been expanding their freedom with their dynamic characters and this is the same in movies.3.1.1. Origin of movies (- 1926)According to the October 19, 1897 issue of The Times, Motion pictures have finally been introduced into Chosun, a country located in the Far East. At the beginning of October 1897 motion pictures were screened for the public in Jingogae, Bukchon, in a shabby barrack that was borrowed from its Chinese owner for three days. The works screened included short films and actuality films produced by Frances Pathe Pictures.Koreas first movie theatre, Dongdaemun Motion Picture Studio, was open up in 1903.The Dansung-sa Theatre opened in Seoul in November 1907.Not merely a theatre-operator, as the first film producer in Korea, Dansung-sas owner, Pak Sung-pil, took an active part in sustenance early Korean cinema. He financed the first Korean domestic film, trustwor thy Revenge (Korean Uirijeok Guto), as well as the first Korean documentary film, Scenes of Kyongsong City and showed both at his theatre on October 27, 1919. Uirijeok Guto was used as a Kino drama, a live theatrical production against the screen background of film projected on stage. Some name a put down of Chunhyang-Jeon in 1921 (released in 1922) as the first Korean feature film. The traditionalistic story, Chunhyang, was to become Koreas most-filmed story afterwards. It was possibly the first Korean feature film, and was sure enough the first Korean sound film, colour film and widescreen film. Im Kwon-taeks 2000 Pansori version of Chunhyang brought the number of films based on Chunyang.3.1.2. The silent era (1926 1935)Korean film studios at this time were Japanese-operated. A hat-merchant known as Yodo Orajo established a film company called Choson Kinema Productions. After appearing in the Choson Kinemas 1926 production Nongjungjo, the young actor Na Woon-gyu got the chan ce to write, direct and star in his own film. The release of Nas film, Arirang (1926) is generally considered the start of the era of silent film in Korea and this has shown the power of movie as it influenced the depressed Korean people to recognize their nationality. other important director of this period, Shim Hun, directed only one film, Mondongi Tultte (At Daybreak). Though the reviews for this film were as strong as those for Arirang, Shim died at the age of 35 while directing his second film, based on his own novel, Sangroksu (The Evergreens). The novel was later filmed by director Shin Sang-ok in 1961 and by Im Kwon-taek in 1978.The first half of the 1930s saw a decline in the domestic film industry in Korea. Due largely to censorship and oppression from the occupying authorities, the number of films produced at this time dropped down to only two or three per year, and some filmmakers fled Korea for the more robust film industry in Shanghai at this time. Perhaps the most i mportant film of this era is Imjaeobtneun naleutbae (Ferryboat with no Ferryman) (1932), directed by Lee Gyu-hwan (1904-1981), and starring Na Woon-gyu. Because of increasing governmental censorship, this has been called the last pre-liberation film to present a significant nationalistic message.3.1.3. Early sound era (1935 1945)Koreas first sound film was Lee Myeong-woos 1935 Chunhyang-jeon. The sound technique was reportedly poor, but Korean audiences appreciated hearing their own language in the cinema. The number of films produced increased during the latter(prenominal) part of the decade. Na Woon-gyu began making a larger number of films again with significant works like Kanggeonneo maeul (1935), and Oh Mong-nyeo (1937), before his premature death in 1937.Sound films in Korea faced much harsher censorship from the Japanese government-General than did the silent films before them. Also, the loss of the byeonsa (narrators) with the coming of sound film meant that anti-authority messages could no long-dated be sneaked around the censors in this way. The showings of American and European films decreased, and were replaced by Japanese films. Korean-made films became a propaganda tool for the government of the Japanese occupation. Starting in 1938, all film-making in Korea was done by the Japanese, and by 1942 the use of Korean language in film was banned.3.1.4. Divided Korea South Korea3.1.4.1. 1945 (independence) 1955With the surrender of Japan in 1945, Korean cinema enjoyed a burst of liberty-and liberty itself, understandably, became the major theme of films at this time. Choi In-gyus Viva Freedom (Korean Jayu manse), about Korean freedom-fighters during the go down days of the colonial period, is considered the major film of this era.During the Korean War, film production slowed only five or six films were produced each year from 1950 to 1953.3.1.4.2. Golden era of Korean movies (1955 1972)The quality and quantity of Korean movies had increased drama tically this period. 15 films in 1955, 30 in 1956, 37 in 1957, 74 in 1958 and became 111 films in 1959. The most famous movies were Chunhyang-Jeon (Lee Gyu-hwan 1955) and Free madam (Han Hyung-mo 1959). Chunhyang-Jeon is based on Korean classic story, while Free madam is altogether shocking against the Korean traditional way of thinking. Director Lee Kyu-hwan successfully remade Chunhyang-jeon in 1955. Within two months 10% of Seouls population-over 200,000 people had seen the movie, giving the re-establishment of the film industry further impetus. The movie viewers became more than 170,000,000 people per year in 1960s. There were many different genres as well unfledged love movies, Comedy movies and Action thriller movies.3.1.4.3. Dark era of Korean movies (1973 1979)This time period can also be called as the winter of the 60 years in Korean film. This was due to the fact that South Korean had a very authoritarian political system that was led by Park Chung-hee. His program of Yusin Restoration (Revitalizing Reforms) caused Korea Cinema to come into a notion period with oppression through censorship. Because the government feared that cinema would disrupt the good taste or customs, harm the pride and dignity of South Korea, congratulations or support North Korea and Communism, or criticize the political and government politics, filmmakers were wary of this censorship and they were not allowed to produce films that they wanted. Writing in 1981, the outside(a) Film Guide said of South Korean cinema, No country has a stricter code of film censorship than South Korea with the possible exception of the North Koreans and some other Communist bloc countries. The number of films in 1970 was 230 and it dropped to 96 only in 1979. The number of movie viewers was 170,000,000 in 1969 and it dropped to 64,000,000 in 1977.3.1.4.4. The second dark era (1980 1996)After the assassination of death chair Park Chung-hee in 1979, Korea still has to wait more time to com e spring time in Korean movies. In 1988, President Roh Tae-woo began the bit-by-bit elimination of the government censorship of political expression in films. Directors were firm to begin re-exploring social and political themes in their films. During this period, producer Lee Tae-won made domestic films just to get an import quote. This import quota system controlled the films and restricted the directors to produce films that would supplement the government. Because the import quota system was controlled by the MPPC (Motion Picture forward motion Corporation, created in 1973) and because the government mainly controlled the MPPC, the government basically had all the control to display whichever film they want and cut out all the films that would go against their views.The audience for domestic films reached a low point, due partly to the col of the market to films from overseas, especially the United States and Hong Kong. By 1993, only 16% of the films seen by South Korean aud iences were made domestically. The local film industry persevered through this lean period.3.1.4.5. 1997 PresentFrom the late 1990s, South Korean cinema managed to walk out domestic stripe office success exceeding that of Hollywood blockbuster movies. From 1997 to present is considered golden age for Korean films, and now Korea is being considered an Asiatic film powerhouse, producing movies from various genres, not just for Korean market but also widely for the rest of the Asia.The 1999 film Shiri about a North Korean spy preparing a coup in Seoul was the first in Korean history to sell more than 2 one thousand thousand tickets in Seoul alone. The movies popularity, coupled with the screen quota, helped Shiri to surpass Hollywood box office hits such as Titanic, The Matrix and Star Wars in South Korean theatres. This movies success motivated other Korean films with large budgets for Korean circumstances.In 2000 the film JSA (Joint Security Area) successfully surpassed the bench mark set by Shiri. A year later, the film Friend managed as well. The romantic prank My bright Girl outsold The Lord of the Rings and Harry Potter, which ran at the same time in South Korea. As of 2004, new films continue to outstrip older releases. In South Korea some Korean productions are more popular than Hollywood films.Films such as Shilmido and Taegukgi were watched by over 10 million people per film, which is a quarter of the South Korean population. Shilmido is a film based on a true story about a secret task force in 1970s. The other blockbuster movie, Taegukgi, was described about two brothers in the Korean War.Films such as Shiri have been distributed in the USA. In 2001, Miramax bought the rights to a remake of one of the successful Korean action comedy movie, My Wife is a Gangster. Recently, popular Korean movies such as Il Mare (remade as The Lake House), Old Boy, My Sassy Girl, and Joint Security Area have also been bought by Hollywood firms for remake as well.The 2003 psychological horror A Tale of Two Sisters was successful as well, leading Dreamworks to pay $2 million (US) for the rights to a remake, topping the $1 million (US) paid for the Japanese movie The Ring.3.1.4.6. feast successIn 2002, Korean film first acquired serious internationalistic recognition at the Venice Film Festival, where the film of Oasis won the second prize award. Its about an isolated young woman with cerebral paralysis who falls in love with a simple minded man who has recently completed a term in prison for hit and running an accident that killed her father.Old Boy came in second place in the Cannes Film Festival, second to Fahrenheit 9/11, and hence known for another Korean film to achieve international recognition. It is about the life of a man who is put into solitary confinement by psyche he doesnt know. He had to live there for 15 years before he is released and given 5 days to discover the reason for his barbaric entrapment. Dark and gloomy, Old Boy experiments with several psychological madness and sexual distortions.In February 2004, Kim Ki Duk won the award for best director at the 54th annual Berlin Film Festival, for a film about a puerile prostitute, Samaritan Girl. In addition, he won the Silver Lion award at the Venice Film Festival for his 2004 movie, 3-Iron. In 2010, Poetry won the Best Screenplay Award and was selected for the main competition at the 2010 Cannes Film Festival. In November 2011, the leading actress, Jeong-hee Yoon won the Los Angeles Film Critics Association Award for Best Actress for her performance.3.2. Korean-WaveKorean movies together with Korean dramas and Korean songs are making a new wave in Asian countries as well as the rest of the world nowadays. There are three important dates of new Korean-wave movies 1992, Marriage Story was financed by Samsung, marking the first non-government funded film. 1999, Shiri was released and led to Korean films taking over 50% of the local market. Ultimately, My Sassy Girl became the most popular and exportable Korean film in history.4. Movies, as a major part of culture industryEvery day we meet movies on TVs as well as at theatres. Most of the people from the young to elderly enjoy movies.There are so many genres action, science fiction, adventure, comedy, crime, epic/myth, fantasy, horror, love/romantic), social drama, thriller, and so on. A movie is not just a mere entertainment, but a part of our lives. We have unlimited idea and access to high technology. Movies dont stick to walls any more. It walks in and out of our mind. They become part of our experiences we may never be able to see from overseas.5. expiryBecause movies are strongly influential to the people, there are negative effects. They may be good and enjoyable movies. They can, however, be violent or sexual. They could particularly give a bad impact on youngsters.Few cases have been found in the USA. One of them was about a young student who shot several people dead. He admitted that he imitated a violent scene he has watched.The politicians take advantage of movies for their political purposes. Hitler used movies for his Nazi system. The movie Triumph of the Will is an example. During the Cold War era, there were a lot of movies related to the Cold War. One of them was one of the 007 series. Horse opera movies were made for the White to justify their conquering of the continent and pushing away the Indi